In late 2010, cartoonist Sarah Glidden went along with two of her friends--co-founders of The Seattle Globalist--and a former Marine as they researched the impact of the Iraq War on the region and the refugee crisis. Glidden's focus to document the overall process of journalism and how it was conducted for this specific purpose, but it also comes to encompass the Marine's own experiences and reactions along the journey. Rolling Blackouts, constructed largely from transcribed audiovisual material collected on the trip, offers a glimpse into the horrors of war, complicated history, and voices of both the well-known and unheard victims of the region's violence.
I really enjoyed Glidden's graphic memoir, How to Understand Israel in 60 Days or Less, a few years back and found this book to be as enlightening and thoughtful. There is so much food for thought here--the less-documented tragedies of refugees' displacement, ruminations on ethics in jounalism, U.S. military involvement in the Middle East, what it means to be progressive, and so much more. I found it really interesting, too, in the window of time it occurred--just after heavy U.S. military presence from the Iraq War and just before the uprisings from the Arab Spring. For a graphic novel, this is slightly more text-heavy, and Glidden's use of soft-toned watercolors lend to the reflective nature of the book. There are no clear answers, but there are plenty of viewpoints; reading this will likely spark plenty of contemplation and conversation. This is definitely one of my favorite reads this year.
Reviewed by: Lindsay on November 4, 2016
Number of Pages: 298